Stone Road

stone_road

“This harmful road into the New World, quickly became a ruthless, angry search for wealth. It set a tone in the Americas. The quest for personal possessions was to be, from the outset, a series of raids, irresponsible and criminal, a spree, in which an end to it–the slaves, the timber, the pearls, the fur, the precious ores–was never visible, in which an end had no meaning.”

–Barry Lopez, The Rediscovery of North America

Barry Lopez lives upriver, below Sahalie and Koosah, close by the landing at Finn Rock. I believed it was mine, this river; these were my own moss ferned trails down to rock and rapid. I read Lopez’s River Notes.

Each spring I ranged over stone deltas along the river channels to study the flow, after winter floods remapped the current, before wading into the water and letting snow melt wash me down stream. The black dogs walked up river beside me and then floated along behind, waves of August bleaching the bend where we would land.

I was young and proud in presumptive possession, but long years teach, even if one does not learn:  I belong to the river, bearing the same nativity as heron or trout, not the other way around.

A green university town, emptied of students in March, ordered under curfew two nights, a text alert announcing the second restriction was delivered eight minutes after it was already being enforced. Windows broken in Starbucks; fires set.

Traffic stopped Sunday over the Ferry Street Bridge, made way for crowds marching north to the river front park, mostly masked and carrying signs, a young woman riding her small gait horse bareback, so many people so close together after so many weeks, panting for breath.

“We would have to memorize and remember the land, walk it, eat from its soils and from the animals that ate its plants. We would have to know its winds, inhale its airs, observe the sequence of its flowers in the spring and the range of its birds…To be intimate with the land like this is to enclose it in the same universe we occupy, to include it in the meaning of the word community.”

–Ibid

 

Tao of Water

may_view

Recite the alphabet, a silent sing-song recitation, roll hands one over sudsy other, digits and thumb, up the wrist, rinsing and turning. Zed. Omega. I try it backwards. At night, when the doors are locked and the shades drawn, I rub ointment into my knuckles.

Water makes small choices; a pebble might turn a flood.

Raccoons wash their food, roll muddy tubers and tuna fish sandwiches one paw over the other down on rocks next to the stream. They dip digits in a can of stolen shortening and gobble handfuls of greasy fat, sneak into the house through the cat door and look for crackers in the cupboard, a time after Rogue died and before Mercy was whelped.

I faced a raccoon nearly as big as the dogs, spit-sapping shock at the size of it, looking for a weapon without shifting focus away, settling for the broom at hand. It came in June to pluck ripe strawberries along with the crowns. I let it.

A group of raccoons is called a gaze. After dusk one summer night, a gaze in the neighbor’s backyard killed their cat while they stood at the door and flicked the porch lights on and off and, stamping wailing thrashing, watched.

Hail comes to hammer the gutters, applause of thunder, rivulets run down the roof of the shed and pool in the strawberry bed.

Water makes small choices.

Grounded

wisteria_sky

Wisteria blooms in full-falling clusters from a weathered arbor out front. Bees and hummingbirds leave off the fading rosemary to suck nectar from the blooms.

Peas are up, shallots and radish sprouting. Downhill streets are quieter, though more people walk up the hill now. They climb the road and then stand unsure why they came this way. They take in the panorama and then turn to trudge down again.

Mercy barked at one recent tourist approaching the grass verge while I planted red onion seed, doing her job as sentry, scaring some startled man back down the hill before I could round the bamboo and compost pile to see what excitement was upon us. The dog wags and smiles at strangers, but never lets them touch her. We’re all grounded now, it’s time-out.

wistera2

Mom grounded me for two weeks in high school. Although my school had an open campus policy, Madame was a neighbor. Madame felt she must report I missed three French classes during spring term of junior year, a pity (quel dommage!) as she painted pictures of great potential if I would only learn to apply myself. French class fell during fourth period, immediately following a free third period when my friends and I would slink out to the baseball dugout and smoke a blunt. I always brought along my textbook and studied the three verbs du jour, but sometimes wandered off with the crew afterwards to find something for lunch. Grounded.

That was all long before Zoom and Facetime, but still the same simply doing time. Friends came by on Friday night and tapped at my bedroom window, but on Saturday night I pretended to be sleeping. I never missed French class again and probably never truly learned to apply myself.

Down at the river yesterday I gathered flat skipper river rocks and filled the back game pockets of my vest with them until both pockets sagged and I doubted my balance. I didn’t want to trip on a tree root into the current and do a Virginia Woolf without any intention and definitely without leaving a note.

“What is the meaning of life? That was all–a simple question; one that tended to close in on one with years, the great revelation had never come. The great revelation perhaps never did come. Instead, there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one.”

Virginia Woolf, To the Lighthouse 

On the Road to Jericho

river_path

One red tulip cup opens in the front garden, not yet plucked by a wandering doe, a bright cup between gray lavender and dusty sage. Tree pollen billows and blows in rafts.

The full moon brought clear skies and warm afternoons, breezes to loft the gold dust away across the hill. A bright copper penny placed in the bottom of a vase will keep tulips stems upright rather than dropping their heads. An old woman told me that once long ago, repeated her instructions and stressed, as she looked up into my eyes, that it must be a bright penny.

A penny for your thoughts.

Wealth untold in this little hill that is my home: a wood, a bramble patch, an onion bed, four pots of geranium overwintered on the top deck, a bay laurel, countless rosemary cuttings grown from two mother shrubs, birch and maple saplings salvaged from the garden and potted for some unknown reason save I couldn’t bear to pull them up and toss them on the heap. I have windows and wind. The dog chases sticks and tennis balls in the morning and we patrol a patch of wild grass and woods.

I wonder at the fortitude of my friend in Manhattan without so much as a balcony; she lives alone and hasn’t left her apartment in nearly five weeks. How does one live without sky?

All those living in cities without seeing the sky for the smother of human hurry, and now skies above Delhi and Los Angeles are blue and clear, though a bright penny is paid as price. Fin whales were seen close off the coast of Marseille. My grandfather worked a tug boat there during the war, salt water somewhere under the oil and blood. Clever monkeys.

hunting

Mercy and I go out to the river and watch, proxy hunting ground squirrels, nutria, and pheasant, for a hunting dog must hunt. During the first rainy weeks of what-comes-next, we owned it all, strangely alone along the river paths, in the endless acres of park.

Yesterday, we went down to the canal beside the Japanese garden, skirting a generous margin away from three young women practicing hoops under the blooming cherry tree. They came over the rise to watch Mercy swim and laughed when the dog ran to greet them. She showered water when she shook herself and tried to pry away a pretty hoop, but then dashed back past me on the bank and into the water, showing off.

The trio were singing when they left to cross the footbridge, spinning their streamered hoops and waving, When they disappeared into the trees on the farther bank, I could still hear their voices.

 

 

Bird Box & Glitter Bomb

heron2

The sun melts the frost and the wind blows downriver with the iron scent of snow. I zip-up my down vest.

Monday, March 16th, with public schools closed through April, the University emptied, people working in offices booting up laptops to work from home, and the announcement that all Oregon restaurants and bars are ordered closed yet to come later in the day. Circles tighten.

There’s no one else on the road. Christmas-morning-style silent empty streets, yet without the tingling expectation of warmth and fellowship to come with cinnamon and cider. There’s a flagger ahead on the parkway and I’m startled construction work is still progressing at the stadium. She flips her sign to “Slow” when she sees us, the only car for miles. I wave as we pass, yet a clench and fleeting guilt that I’ll be stopped and asked for my papers crossing the frontier.

Everything clenched. Dominoes tipping in slow motion grasped in triple time.

The long grass in the fields is wet. The dog and I walk out to the canal. There is no one else. As we tread the open space, I decide this is my estate and inheritance and that I am its Lady, surveying the opening green haze of the willows and cottonwood and translating the song of a red winged blackbird. Breathe here, a cold wind bright sun burning my cheeks, remember this.

Canada geese post sentries for their flock and these sentries watch us approach and escort the smaller birds further away in an orderly retreat. I keep Mercy tight-in on her lead until we pass, and then release her to dash to the water.

The heron. We withdraw to let her fish in peace and move down the canal, the dog working the bank where the nutria dig their dens. The song of the blackbird repeats a phrase from an ancient reed pipe. So it is, and was, and will ever be.

I read somewhere, probably Reddit,  that a clever teacher uses glitter to teach her first-grade students to visualize otherwise invisible germs. At the beginning of the school day, a spoon of glitter is dished into the hand of one student. At the end of the day, the class looks to see where they can find glitter. It is everywhere.

Blindfolded with a Bird Box.

The sun is high enough now, the frost is melting. Time to go.

 

Decameron

“Florentines carried the bodies of the recently deceased out of their houses and put them down by the front doors, where anyone passing by, especially in the morning, could have seen them by the thousands. . . . When all the graves were full, enormous trenches were dug in the cemeteries of the churches, into which the new arrivals were put by the hundreds, stowed layer upon layer like merchandise in ships, each one covered with a little earth, until the top of the trench was reached.”

–Giovanni Boccaccio, Decameron

Other plagues came from the East.

Italy was infected, the entire island of Sicily. Fleas with the pestilance rode rats invading just as Mongol armies swarm across the steppe, stowaways on merchants ships bound for Genoa. A Black Death a mere 20 generations ago. Perhaps half the population of Europe died, depending on the data used and the optimism of the analyst, perhaps only two-fifths, while Boccaccio wrote his hundred stories.

The scene opens in Florence. It is 1348. After solemn mass one morning, seven aristocratic young women decide it better to flee the infected city and withdraw to a country estate to shelter two weeks in hopes of escaping the pandemic. Three young men, distant kinsmen, are invited to withdraw with them in this scheme to cheat death.

In the fresh wholesome air of the Tuscan countryside, they agree to pass the time telling stories. Each day a theme is named and each day (excluding a day for worship and a day for personal matters) the young women and men share stories. This setting provides the narrative framework for the 100 stories of the Decameron upon which both Chaucer and Shakespeare borrowed and stole.

Is it all forgotten now? Ground as grist under that same mill that bore away the bones of a score of my mothers, who survived? My old university copy is here somewhere, still packed in a box probably.

I downloaded a PDF.

We have Costco, Chlorox, and Purell, if it can be found. We have polite terms for seclusion much as Boccaccio framed for his narratives: social distancing. Baseball games broadcast without a crowd in the stadium and interactive maps updated with infections and deaths every day at noon.

Will we have art such as this?

Herman Hesse set his 1930 novel of two friends in the time of the Plague. Narcissus remains in the cloister and becomes an abbot. Goldmund ventures into the world to discover life through the senses and, ultimately, strives to translate human passion into art. The two characters embody the tension between intellect and intuition, Sun and moon, the Appolonian and the Dionysian. Art is the union of the two, Hesse surmised, a new moon.

“O how incomprehensible everything was, and actually sad, although it was also beautiful. One knew nothing. One lived and ran about the earth and rode through forests, and certain things looked so challenging and promising and nostalgic: a star in the evening, a blue harebell, a reed-green pond, the eye of a person or a cow. And sometimes it seemed that something never seen yet long desired was about to happen, that a veil would drop from it all, but then it passed, nothing happened, the riddle remained unsolved, the secret spell unbroken, and in the end one grew old and looked cunning . . . or wise . . . and still one knew nothing perhaps, was still waiting and listening.”

Herman Hesse, Narcissus and Goldmund

First Breath After

quince

Wild quince is blooming out among the river brambles and tiny bleeding hearts tremble beneath the ferns along the animal paths.

New moon yesterday when the lights join again to trace the waxing wheel from dark seed to bright mirror and back to darkness. Mercy and I walked out to the old boat landing. She swam after sticks and dug in the sand. I pulled rusty bits of shopping cart out of the river and up onto the stones, too heavy to pack with us when we leave. The rough-built cross marking the place of ashes still stands after the winter floods.

february_willamette

Vic still lives across the road, though he can no longer drive and can barely hear. When Shirley died in July, he refused to move no matter how the family implored and reasoned. A friend takes him out for exercise and errands several times a week. He orders groceries online, tins of sardines and rice pudding. I labeled his house key and put it in the little wooden bowl on the table with the other odd bits.

Sometimes I glimpse Shirley, out in her robe and slippers, watering the planters or checking the mailbox. We would stand in her driveway and talk and laugh. Mercy, bored with it all, would lie down and wait in the shade.

Somehow she melted, like the moon, like the snow.

A year ago there was a snow storm in the valley that dropped almost two feet over two nights. When I opened the blinds the first morning, the dogwood tree was bent to the window glass. I went out with a broom and rocked the branches to dump the powder, much of it down my arms and neck, but the bent dogwood did not break. It bloomed in May.

mercy_snowplay

Repost of Born for This the first breath after:

Vic is shoveling snow off his driveway with a flat half-spade. There are soft trailing footprints where Mercy and I climbed the slope to deliver white bean and chicken soup and take away a bag of trash to the street. We put the bins out for collection Sunday night as snow started to fall and stick. I knocked a foot of snow off the bins with the snow shovel, twice. The snow on the hill is up to Mercy’s belly and my knees. I’m keeping an eye on Vic through the front windows as I write. Vic is 89. He doesn’t want any help.

Vic’s red plaid Pendleton is tucked into khakis hitched up to his lower ribs. When the sun came out after the latest flurries, he leaned against the garage and unzipped his coat. He slices at the top of the snow with the spade and lets it slip off to the growing pile on the side. Looking south to the Butte, he stops and rests, bowed with both gloved hands on the handle of the shovel. Twice I nearly pulled my boots back on to go out to help and then stopped. He refused my help twice already.

Monday morning there was a foot of snow. Mercy was out back barking before daylight, baying at snow drifts. My phone starting pinging with incoming text messages. The power went out at ten o’clock, yet I had enough presence of mind to brew extra coffee and fill every thermos from the top cupboard with hot water before it went. We lit a fire and set up the camp stove under a sheltered eave. I pulled on my gear and took the dog out back to dig the gate free while she capered and plowed through the powder.

Small trees, herbs and shrubs, my beloved curling hazel, all snapped and broke under the weight of the first fall. Fallen cedar limbs yawn like leviathan bones jutting from the snow. A 30-foot scotch pine toppled in the back and took out a section of fence. Fir trees cracked in the middle distance. An electrical transformer flashed and exploded farther away. Another ten inches of snow fell. Shy yearlings lurk down the hill behind tree trunks watching the dog tunnel in the snow. Deer mice crept in during the night to scoop frozen drippings from a corner of the grill pan.

Mercy danced.

The main roads are plowed now. The power is back. The sun was out briefly before it freezes tonight. Our hillside spur road needs to melt more to drive down; even in the Outback there is not enough clearance to negotiate the grade. Shirley was referred to an oncologist and has her first appointment tomorrow morning. She thought she’d try to walk down the hill to meet her son where the roads are cleared. I shook my head and suggested alternatives. Shirley is 81.

The patient advocate at the cancer clinic is sending transportation for the appointment, a chained high-profile vehicle with a chance of climbing.

Shirley doesn’t think Vic will be able to travel with her, although he desperately wants to go.

Treading

plum_branch_rain

“She treads on the tail of a tiger

and is not bitten;

That which treads

does not stay,”

— I Ching, Hexagram 10

Rain seeps down and cradles the plum blossoms before dropping into the brambles. Out on the hill the wild turkeys gather. There are many hens and a few formidable males strutting after. Their tails are fanned and their chest feathers ruffed, making a show of light playing off the metallic sheen of copper and graphite quills flashing gold.

I find feathers in the grass; the best of them stand in a jar outside the backdoor like a bouquet. They are said to be a sign of prosperity and abundance. Mercy stands at the window and growls and frets at the mating display. Though I might let her out to scatter the birds when there are fewer, not now, not when the heat is on them.

I hear the big birds down in the woods when the dog and I walk out and remain watchful until we pass. The turkeys call to each other in high peeping chirps to gather and form a flock, a small unexpected whine from such large bodies.

They can fly, and do, when the dog charges them out on the grass verge, 100 yards into the fir trees. I’m careful, because she would kill one if she caught it, or worse, didn’t kill it and had to fight raptor claws. I don’t want to kill a turkey as much as the dog wants blood and we hold that equilibrium. When we show ourselves, the birds grow nervous, leave off their pecking and edge toward the woods. It’s best now, before poulting, because they don’t remember from season to season.

One spring turkeys adopted our elderly neighbor’s deck as their territory. Vic and Shirley were unable to go out to the garden without being mobbed by twenty-pound birds. I bought them a slingshot and showed them how to shoot dried chickpeas from the doorway. Mercy and I patrol the fence line.

I carry a long strong lead in a heavy case bought online from Gun Dog Supply, the only one I’ve found she hasn’t snapped. Yet. She’s broken steel cables and pulled posts from porches where cables were anchored. I don’t need to lift weights. I fly a hundred-pound dog.

I submitted a piece to a literary journal this morning, the first after many months turned away. How long to polish the shield before the reflection of the gorgon is clear enough to strike? Dither here, in this public scrapbook, posting markers and milestones so I might remember.

Rain seeps down and bows the buttery cones of the first daffodils along the river. Geese pass high and cry as they circle, pairs come in low to land along the canal by the footbridge. Herons fish alone and nest together, awkward above their nests in high branches of one tree. The dog swims after sticks and watches the geese land beyond her reach.

Under the cedars, sheltered from the rain, there is a rough-hewn totem most probably intended to represent Squirrel. Mercy wants to take it up and shake it, but I offer her a fallen branch instead. It doesn’t look much like a squirrel to me, but I’m distracted.

I think the Year of the Rat arrived.

squirrel_rat

 

 

Lexicon

It’s said the Inuit people know 50 names for snow. Living half the year in long darkness, half in forever midsummer sun, the names came from patient study and deliberation, conferring with elders and ancestors, and finally from standing alone on the frozen tundra to shout a name to the wind to learn which snow must answer.

Not Siletz or Siuslaw, neither Coos nor Kalapuya, I was merely born on the delta between two wild sisters, two swift rivers in the time of mighty Chinook running, born here where rain falls a lullaby on the eaves, listening to cloud, lashing the cedars. Perhaps, the wind says, it is time. Are we the last great rain shadow remaining?  It is daunting. I am unqualified. Nevertheless now, as a grown woman with time running short, I begin the work of setting down this imperfect translation.

The scholar will note that this lexicon is forever inaccurate and incomplete, as most linguistic equivalences between poetry and mathematics are impossible. However, I present this imperfect compilation as a primer, a basic catalog, meant merely as an outline of myriad nuance. For just as snow evolves to find novel forms, rain invents itself anew each generation; each manifestation awaits a hearing, an integration, awaits its true name spoken to the wind.

The Names of Rain, in Mostly Alphabetic Order

Ashrel – dervish rain lifts fishes from the ocean

Bentah – walks on mountain sleeping late

Cihtel – brings Camas to bloom and softens earth to dig roots

Drem – tamps cooking smoke from leaving lodge

Enili – paints rainbows

Fege – sends geese to ground to wait for sky

Gryth – cools the face at corn time

Haili – dogs hide under the bed and howl

Inii – mixes with tears of mourning

Joos – plays pipes across the long pond

Klakatesh – washes the berries before picking time

Laqu’me – children run and laugh gathering firewood

Muus – mothers nurse newborns in the doorway

Nehali – toppling ancestor tree from root

O’roko – Chinook climb currents home to spawn

Papuq – lovers watch the moon

Quzshet – rides with thunder

Rokama – pisses on the slippers left outside

Snalak – wakes the crows to fend off the hawk

Tek – trout rising for mayfly

Umoq – making peace and taking pride at potlatch

Vru’ku – sleeping with spirits

Wewemi – closes the dance beside the fire

Xalj – after the fever breaks

Yopuna – grandmothers crack acorns and talk story

Za’aln – hearing the heartbeat of the land and weeping

******

Please note this is a work of imagination and the lexicon is a figment of my own mythology~