plague – Kim K. McCrea

Year of the Ox

When Rat finished with us, it scuttled away under the brier whipping a naked tail in a long last lash. Cursed Year of Rat.

We crossed under the tall firs down to the river edge but saw no sign of Ox. It’s the Year of Metal Ox come along with the new moon and Lent. Ox is a slow beast like the freight engines pulling across the water heading east into the mountains across country, strong like a big yellow bulldozer. I found a small river rock painted by a child among mushrooms and lichen sprouting from a fallen log; it was a dragonfly, a totem. I put it in my pocket.

I drove Dad and Jo down to the fairgrounds after the new moon. I printed their names and confirmation codes in big block letters on an index card and handed it out the window at intake. The volunteers guiding traffic at the 80-and-over vaccine clinic were from Lane County Search and Rescue. They waved light wands to direct us to the next open tent as if we were a plane lumbering toward our gate.

We parked to wait 15 minutes afterward to ensure neither Dad nor Jo had a reaction to the shot. Jo opened the thermos of coffee Dad brought. He packed the same bag they always use to go on day trips to the bird refuge or Irish Bend. They nearly quarreled over the coffee cups and the coffee. I offered around diamond-shaped pieces of Revani, a coarse semolina cake I baked, soaked in blood orange syrup and topped with crushed pecans. We sipped coffee and ate the crumbly sweet while we waited.

In October, when I took Dad to his local pharmacy to get a flu shot, I choreographed the operation as carefully as a jewel heist. As we walked out, his pharmacist called out behind us “I love you.” Dad turned to me and asked me what she said.

In the Rat, I made vats and kettles and cauldrons of soup to share out, pans of spanakopita and lasagna, stews and sesame soba noddles, coconut cake, banana cake, gingerbread, and oatmeal cookies studded with bing cherries. I’m weary of my own cooking.

In March, on the day before California locked down, I asked Dad not to go to the grocery store anymore, not to go to any store, to stay away from crowds. I made him a mask from a bandana and hair bands. I buy his groceries every week as well as our own. (Though I know he and Jo snuck out to Costco to buy a cheesecake this summer for my birthday, I didn’t say anything.)

Even after he gets his second shot, I’m still uneasy about letting him go out among many people again. I feel the thaw coming, slow like learning to walk again, yet still feel like an anxious parent rather than his child. That’s beside the fact our weekly grocery exchanges go roughly like this:

“You got two turkeys but no chicken,” Dad drops deli meat in the refrigerator drawer as I bring in more bags from the car. I push the front door shut with a toe shove.

“There wasn’t any chicken,” I hoist double-bagged sacks up onto the counter.

“No chicken,” he’s disappointed. His dogs get strips of the prepackaged deli meat on top their dinner kibble, nibbles from slices he doles out while eating his lunch.

“What’s this?” Dad rummages in a sack and pulls out a bottle of dish soap.

“It’s soap, Dad. Palmolive, like you asked,”

“This is the green. I use the blue,”

“There wasn’t any blue,” I set the bunch of bananas, green enough to ripen and last through the week, in the ceramic bowl next to the kitchen window.

“No blue? I can’t believe that,”

“There’s a lot of empty shelves in the store,”

“What?”

“A lot of empty shelves, in the store,”

“What?”

“Do you have your ears in?” I gesture to my own ears, asking in pantomime if Dad is wearing his hearing aids.

“No, I was going to take a shower,” Dad hobbles along the counter to the nook where he keeps his wallet, keys, and hearing aids and fiddles the devices in to his ears.

“I need new batteries,” Dad returns and rustles a hand in another brown bag and pulls out a box of instant oatmeal.

“Now? You need them now?”

“The left one is dead, I think,”

“Sure it isn’t ear wax again? Are you using those Q-tips I brought you?”

“What?”

“Q-tips.” I shake the box of swabs next to the prescription bottles and vitamins lined up on the shelf above the counter.

“Those hurt my ears,”

“Dad, I don’t want to go back to the audiologist already, we just had them cleaned,”

“I just need batteries,”

“Fine. Ok. I’ll go back to the store after we put this away,”

“Go to Bi-Mart, they’re cheaper,”

“I’m not going to Bi-Mart. I’m trying to stay out of the stores. That’s why I want you to think about your list every week. Make sure you have everything,”

“I can go to Bi-Mart. I’ll wear my mask,”

“No Dad, you need to stay away from crowds, or why am I doing this?” I bang the cupboard door shut and, turning, stumble over Dad’s German Shorthair, Emmy, hovering at my heels. She yelps. “Dammit, Emmy, get back,” I clap my hands above her head and holler “Snap!”

“Come on, Em,” Dad shifts down to the stove and offers the dog a crust of bread from the big plateful he toasts every morning. They both avert their eyes.

Let the thaws come soon

Decameron

“Florentines carried the bodies of the recently deceased out of their houses and put them down by the front doors, where anyone passing by, especially in the morning, could have seen them by the thousands. . . . When all the graves were full, enormous trenches were dug in the cemeteries of the churches, into which the new arrivals were put by the hundreds, stowed layer upon layer like merchandise in ships, each one covered with a little earth, until the top of the trench was reached.”

–Giovanni Boccaccio, Decameron

Other plagues came from the East.

Italy was infected, the entire island of Sicily. Fleas with the pestilance rode rats invading just as Mongol armies swarm across the steppe, stowaways on merchants ships bound for Genoa. A Black Death a mere 20 generations ago. Perhaps half the population of Europe died, depending on the data used and the optimism of the analyst, perhaps only two-fifths, while Boccaccio wrote his hundred stories.

The scene opens in Florence. It is 1348. After solemn mass one morning, seven aristocratic young women decide it better to flee the infected city and withdraw to a country estate to shelter two weeks in hopes of escaping the pandemic. Three young men, distant kinsmen, are invited to withdraw with them in this scheme to cheat death.

In the fresh wholesome air of the Tuscan countryside, they agree to pass the time telling stories. Each day a theme is named and each day (excluding a day for worship and a day for personal matters) the young women and men share stories. This setting provides the narrative framework for the 100 stories of the Decameron upon which both Chaucer and Shakespeare borrowed and stole.

Is it all forgotten now? Ground as grist under that same mill that bore away the bones of a score of my mothers, who survived? My old university copy is here somewhere, still packed in a box probably.

I downloaded a PDF.

We have Costco, Chlorox, and Purell, if it can be found. We have polite terms for seclusion much as Boccaccio framed for his narratives: social distancing. Baseball games broadcast without a crowd in the stadium and interactive maps updated with infections and deaths every day at noon.

Will we have art such as this?

Herman Hesse set his 1930 novel of two friends in the time of the Plague. Narcissus remains in the cloister and becomes an abbot. Goldmund ventures into the world to discover life through the senses and, ultimately, strives to translate human passion into art. The two characters embody the tension between intellect and intuition, Sun and moon, the Appolonian and the Dionysian. Art is the union of the two, Hesse surmised, a new moon.

“O how incomprehensible everything was, and actually sad, although it was also beautiful. One knew nothing. One lived and ran about the earth and rode through forests, and certain things looked so challenging and promising and nostalgic: a star in the evening, a blue harebell, a reed-green pond, the eye of a person or a cow. And sometimes it seemed that something never seen yet long desired was about to happen, that a veil would drop from it all, but then it passed, nothing happened, the riddle remained unsolved, the secret spell unbroken, and in the end one grew old and looked cunning . . . or wise . . . and still one knew nothing perhaps, was still waiting and listening.”

—Herman Hesse, Narcissus and Goldmund