Proximity Magazine 2017 Essay Prize Finalist
My essay “Gleaning” was selected as a finalist in this competition and I’m honored to be included in such an accomplished group of creative writers. The theme of this prize issue is WORK:
“For its second annual prize issue, Proximity was looking for true stories that explore the theme of WORK. Work defines our lives and our livelihoods. Work is labor. Work is art. Work is paid or unpaid, public or private or under the table. Work is at the heart of healthy relationships. Work puts food on the table. Work takes us out of our comfort zones. Work is political.”
August 4, 2017: Proximity editorial team announced the nine finalists for 2017 Essay Prize. Judges Adriana E. Ramírez (Essay) and Ted Conover (Narrative Journalism) will select winners (and a few additional finalists) who will be included in our October prize issue; all finalists will be included in a forthcoming anthology.
The first time I landed, I crossed by water. We sailed at night from the boot of Italy, running east in rain and wind, across the Ionian Sea. Our ferry tickets were deck-class only, and what scarce shelter the deck afforded was already claimed. I pitched my free-standing tent. We wrestled our backpacks inside to weight the tent against the ship. All night the nylon flustered and bucked against the wind. My sister and I cringe in the dark on the hard deck, fearing we would kite overboard in the gale. A clear dawn broke through the cypress trees on Corfu. I fell asleep, finally. I dreamt the throbbing ship engines were the heartbeat of a great beast beneath me, cradling me over the waves.
There are not enough words for purple, I think. Of those few choices English offers to name the fusing of primary colors, most are artifice. Along that inside passage, the purples of sea and land waxed dark at noon entering the Bay of Patras. Great stone breasts of islands were illuminated by the rising sun on the water to port, shapes shaded aubergine and heliotrope diminishing to violet. The diesel exhaust of the ferry smokestacks was swept away by the wind, yet the lingering back-scent was rich like earth–earth and the wine-dark sea.
The shelter of any island, for the maverick and mutineer, tempts Huck Finnian day dreams. There’s nothing prosaic about the Island, as I name it now, a proper noun, as it is referred to by family and familiars in conversation. Sometimes, it is called The Big Island, to distinguish it from The Little Island nearby, when duck hunters plan to float the river and stalk birds. At one time, the level center portion was cleared and plowed to be planted with grain or alfalfa. It has been years since a hoe or harrow worked the earth there. On the upstream side, the land slopes down to a bed of river rock lapped by the river; downstream a high bank comes to a point like the prow of a ship. River banks are thick with willow trees and brush. It is rough, unruly and overgrown, home to magpies and foxes. Over the years, visitors learn about the Island and are eager to go there and explore a curiosity. I don’t know what they imagine before they step out of the boat onto the bank, as though the Island would somehow be quixotic rather than starkly feral.
I am honored to have my piece “The Island” selected as the winner of Silver Creek Writers Residency/Storyfort The Wild West Literary Contest.
Storyfort is one of the forts free and open to the public during 2017 Treefort Music Fest in Boise, Idaho. I joined my fellow poetry and fiction winners in the contest for a reading on Sunday, March 26th, at 1:30 PM at The Owyhee Treefort Gallery. The event was an amazing experience.