Two lives joined across time…
The hand remembers when the mind falters. There is memory in movement, a silent somatic wisdom of the body. The hand remembers, the clever thumb and forefinger working in concert to rediscover skill lost to thought, remember how to wind the thread from spool to spindle, how to wind the bobbin and how to seat it.
Clear the writing table of paper, books, and pens, the bits of candle and boxes of watercolor pencils; the kitchen’s trestle table is cluttered with the season’s last tomatoes spread to ripen, the final few summer squash, and turkey quills–there is no room for mending upstairs.
Do others still mend the straining seam or torn placket? Or do they simply fold the flawed clothing and stack it in a paper bag to donate or discard in the trash? Once it was expensive to purchase clothing, when Levi’s jeans were still sewn in San Francisco and the going wage was $2.30 per hour for scooping ice cream at the 31 flavors. There was no internet or Amazon, of course, offering instant comparison pricing and stinging reviews. There were department stores downtown, and more being built at the malls, or the Sears catalog to buy clothing. There were fabric stores as large as a warehouse with rainbow shelves of thread and offering charming selections of notions displayed on sprawling racks.
It was my grandmother’s sewing machine, a portable Singer stowed in a thick black case. Its features include the ability to sew both forward and backward. When Grandma died, my eldest cousin Kathy claimed the sewing machine, despite owning a deluxe zig-zag cabinet model Singer of her own. But Mom said “No,” and had the machine fitted with a new motor. She gave it to me. I’ve carried it across the country and back, through many household moves, and now she rests in a black lacquered cupboard of her own.
To my mother’s eternal frustration and consternation, I refused to thumb through the pattern catalogs in the fabric store and select a Butterick pattern for a sewing project. I had designs of my own.
I found a lovely book about patternless sewing in the school library. I stole it. (Delighted to report that this same book is still apparently in print: Son of Hassle-Free Sewing: Further Adventures in Homemade Clothes by the authors of The Illustrated Hassle-Free Make Your Own Clothes Book, available on Amazon, of course.) I laid out printed cotton tapestries imported from India and fashioned long dashing coat-dresses with high smocked sleeves and fastened with a matching cummerbund. I bought remnants fabric ends and devised patchwork tiered skirts and vests of puckered patches.
As time went on, I returned the stolen book to the library. I sewed less often, finding it harder to thread the tiny eye of the needle when I did. My last project was a quilted cushion for the firewood box and the results were disappointing somehow. I took up knitting, which is really just tying many interconnecting knots and threading nothing.
When I finally took out my sewing machine to dispatch with mending, I wondered if the little light bulb above the presser foot would still burn, if I would still be able to thread the needle. The hand remembers; the light still burned.
I discovered the silk my grandmother brought me from Hong Kong long ago, still folded next to the machine, all whole liquid blue and silver, never cut.
The moon grows full tomorrow at the penultimate degree of the zodiac to herald the coming equinox. Night grows longer.
Persephone is damn tired and ill-tempered. She’s leaving early, ready to shrug off the birthing work of the field. The Goddess casts down her seeds, takes up her torch, and returns underground into welcome darkness. Comes the cusp of the fallow season.
Tomatoes gathered and stacked on the table before the rain forecast finally arrives to split their skins. Squash and feathers. Clusters of dusky grapes. Rain came, crowned by thunder, fast and fierce and flooded the street.
A cusp is a pointed end where two curves meet. Such a cusp is seen in the pointed ends of a crescent moon, the lip of yet another precipice, molting away one cracked skin for another.
I remember rain.
Wildfire smoke is pushed by a high-pressure bellows to the east, dispersed again when the wind changes to pull marine flow from the Pacific. The grass crunches underfoot; the hill is a tangled warren of burrs and foxtail, all things sere and seeding. Weary of drought and heat, wonder at the prodigious flooding in the east, scanning the sky for rain before the west is ash and withered bone. The cracks in the earth grow wider.
Birch and locus leaves float on the surface of the scrying bowls clouded with wasps. A fresh pail of water set out on the hillside every day during these three months of drought for birds and wild night creatures is drained or toppled by morning. At first, while a trickle of water remained in the creek, they eschewed the metal bucket. Now they depend upon it.
The garden presses to her longed-for languishment and release. The grapes are ripe. The tomatoes sigh and sag under a harvest of Romas, Brandywines, and Sungolds.
The zucchini, the courgette, the green summer squash the Greeks call kolokithia, now dominates the terraced beds and relentlessly births thick heavy fruit. Somehow, through camouflage or inattention, great squash clubs grow overnight. With their large seeds muffled in pulp, these giants are useful only as filling for nut bread, fritters, muffins, or pita. Shred the flesh against the box grater and squeeze out the water between two cotton kitchen cloths while resolving to pick the smaller squash before they transform.
At least the flesh is mild, versatile, and forgiving–
A zucchini cake filled with crushed pineapple and coconut, finished with a buttermilk glaze; oatmeal muffins studded with blueberries, kolokithia scraped and broiled stuffed with tomatoes, feta, and breadcrumbs; slices layered with potato, onion, and tomatoes, bathed in olive oil and baked into Briam; stewed with fresh bay leaves, eggplant, tomatoes, and olives to eat on crusty bread; sautéed in a frittata sprinkled with goat cheese and topped with yet more tomato.
Hungry for a change of season, I remember rain.
Like Shrek with his gourd green head, this thirteen-pound watermelon watered by the Columbia River, ripened outside Hermiston, was trucked west to the valley to be sliced open with a wide sharp blade; it’s bigger than a man’s head, this, the size of an ogre’s, rich in sticky red juice flooding the sluice etched into the cutting board.
Hum-sing the theme chorus “Accidentally in Love” from the second Shrek film, cube the flesh, and suck the nectar from the board. Come on, come on/Turn a little faster-
The first dangerous slice along the scalp steadies the rocking. Then carving rind shells away along the broad curve until the melon is flayed raw and crimson. Come on, come on/The world will follow after-
This is nature’s Gatorade, this sweet pink water. Chop the rind to set out on the hill for the doe still nursing spotted twin fawns. The rind is nearly gone by morning, gone by evening. Come on, come on/’Cause everybody’s after love.
Drought and wildfire, smoke and thunder, cracked earth and dying trees: Only the moon can bring rain, and who can rule her?
There are thresholds before and after, an Old English word with Norse roots. A threshold defines the barrier or bar used to contain the threshed matter lining dirt floored cottages, a boundary to keep the reeds dry within. Some thresholds are as visible as the plank or stone that lies under the door. Others are unnoticed, until they are crossed.
The wild blackberries are ripening early, blistering under this relentless western drought, three weeks before their custom at cross-quarter. In another day or two, the plums will be ripe enough. I’ll pick some low-hanging fruit for a jar of jam before the deer take them all, or they wither on the branch and fall. With the third cutting of rhubarb, I loped off the parasol leaves and washed the thick pink stalks under the hose.
There is no rain in the forecast. The dog is dumbfounded. Last week there was sparse early-morning dew with a phantom scent of rain, little else. We walk early and then I water the garden.
I made a galette, a rough shaggy pastry of almond meal, a stone so-called in the old French. The blueberries went in, the two nectarines I bought that ripened too fast on the counter, a shake of nutmeg and sherry. I dreamed about rain. I dreamed of abalone and mother-of-pearl.
It feels like August, but it’s June. The cornflowers blow over the long grass bleached white with a sun pressing too close to the earth. It reached 111F in the south valley, 44C, at a time when dew should linger and rain still scatter into July.
Queen Anne’s lace, the flat white flowers of the wild carrot, bows down. I put a small bucket of water out on the hill for the wild things, changed the water each morning, draining the old out slowly over a squash planted outside the fence. There’s a lizard in the greenhouse between the pots of dill.
I give the deer mouse that lives under the deck a pea pod when I finish picking. I leave it the crack between the wall, the place she darts away and dives to safety when surprised during her foraging in the morning.
It’s a different sort of storm.
I stayed in my light lawn pajamas all day and read Maggie O’Farrell’s Hamnet beneath the heat pump register laboring to filter cool air from the wet cotton heat. The dog found it too hot to dig a hole to hide in and crept under the bed.
The book is nearly done. The manuscript is finished. The front matter, back matter, and cover design are final.
Everyone publishes a first novel.
An adept astrologer might offer more insight than a mediocre psychologist. Some quandaries are mythic, rather than mental, and some truths need tracking along a higher dimension of story.
The first bowl of strawberries from the garden, before the squirrels pick them, or the deer mice sample mouthfuls of several berries for ripeness, daring Mercy to charge out of the house and catch them. The dog lies out in the sun until it’s too hot, waiting for strawberry thieves, but I think the deer mice creep out in the evening or early morning when she’s dreaming.
The first sugar snap peas came on all at once, white blossoms like moth wings folded around their pods.
There’s so much garden to water. There’s so much to learn about publishing a novel.
Wishes come in a set of three, the same as a spell of bad luck. The slant between a wish fulfilled and a curse is slight.
Consider carefully before rubbing the lamp, cutting free the magic fish, or holding aloft the monkey’s paw.
The first wish alters the fabric of world. The second twists the wish. The third, if wisely used, returns the wisher to the world as it was before wishing.