Wishes come in a set of three, the same as a spell of bad luck. The slant between a wish fulfilled and a curse is slight.
Consider carefully before rubbing the lamp, cutting free the magic fish, or holding aloft the monkey’s paw.
The first wish alters the fabric of world. The second twists the wish. The third, if wisely used, returns the wisher to the world as it was before wishing.
A shallow copper bowl rests on a white birch stump left behind after the ice storm killed the tree. It was a crow tree, where princelings came to find food and water, watched clouds gather over the butte, and bickered from the branches. From the birch outpost, the crows defended their rookery from red-tailed hawks and falcons, while providing cover to the neighborhood doves and chickadees.
During the August moon, young crows audition before their elders stationed at the top of nearby oaks to compete for their place in the tribe: scout, gleaner, nanny, or warrior. Some rare years convocation arrives, a great gathering of the entire clan called together. Perhaps they are summoned to mourn the passing of their Queen and anoint a new one, perhaps to draw new boundaries, affirm alliances, or arrange marriages. When the full August moon sets the morning after the assembly, the raucous cawing chorus across the valley falls silent. The ritual ends.
The copper bowl weathered to a green patina. It balances aslant on the thumbprint-ringed stump tipping down the hill. It is dry by morning, the bottom scattered with tiny locust leaves, wind-blown fluff. The basin catches plunked rain drops, arcs of water raised over blown snapdragons, misty rainbows shed from dark rhododendron leaves. The water-filled bowl reflects the waxing moon when she is nearly full and Venus when she sets as evening star.
The surface is still, yet to gaze beneath is to read ripples stirring under water just as old glass moves and flows in thickened panes set in ancient window frames. Under water, through the glass, there is harlequin and halfling, spokes of ever-turning wheels and swords set in stone; there is blood for certain bled from both birth and murder, Kraken storms at sea and high castrato hymns, ribbon streamers dyed with elixir distilled from violets and roses, endless seasons of windfall fruit from heirloom apple. To scry is to watch as a windowpane, seeing both forward and backward, time ever present and ever spiraling, but it is not a threshold to walk. There is no door.
“You can have talent, but if you cannot endure, if you cannot learn to work, and learn to work against your own worst tendencies and prejudices, if you cannot take the criticism of strangers, or the uncertainty, then you will not become a writer. PhD, MFA, self-taught — the only things you must have to become a writer are the stamina to continue and a wily, cagey heart in the face of extremity, failure, and success.”
“How to Write an Autobiographical Novel”