Even now this landscape is assembling.
The hills darken. The oxen
sleep in their blue yoke,
the fields having been
picked clean, the sheaves
bound evenly and piled at the roadside
among cinquefoil, as the toothed moon rises:
This is the barrenness
of harvest or pestilence.
And the wife leaning out the window
with her hand extended, as in payment,
and the seeds
distinct, gold, calling
Come here, little one
And the soul creeps out of the tree.
American Poet Louise Glück won the 2020 Nobel Prize in Literature
The clock turned itself back one hour, one week too soon. US daylight savings time ends late All Hallows Eve, before dawn of All Saints. The dog jammers from bed about breakfast in her whale-singing-song steadily gaining pitch. I look down at her and then look at the clock, digital time out of sync with the gray light dawning through the windows. Trust the dog. Always trust a dog to know when it’s breakfast.
Shuffling upstairs in wool socks and sad sheepskin slippers, kicking puffs of dust and leaf strung on strands of hair as scaffolding along the baseboard, it’s time to sweep the floors again. Again, and again, chasing all the detritus blown in or tracked in or slipped through cracked afternoon doors and only seen in the slanted cast of this waning light.
Hard frost: 22F/-5C the eaves are white with crystal. The citrus trees replanted this spring in thick keg-shaped ceramic pots are still outside, covered in yellowing sheets against winter. As the wind stirs the worn fabric, I startle at the unexpected apparition outside the kitchen window, cloaked phantom treat-or-treaters dressed like cartoon ghosts. I hang the hummingbird feeder back up outside while the birds hover at my ears impatient to suck the sugar water.
There is much, so much, to let go of.
Big white cannellini beans I scraped from the bottom of a bin in March, when the world scrabbled for toilet paper, go in the pot with a smoked ham hock acquired at the same time, shoved in the freezer against fear. Two bay leaves from the laurel tree, two stalks of celery, five peppercorns, and all day to simmer, all the time in the world.
[It’s Decorative Gourd Season…]
This is a color photograph I took standing out on a rock below a riffle yesterday.
Mercy and I went down to the river yesterday morning between storms. The dog hates the wind and hides under the bed, but doesn’t mind rain. I scan as we walk beneath the firs for a hefty stick she can retrieve as we walk down to the water, scouting along the trail for a branch as big as my forearm, still a bit green, but not waterlogged or decaying. If the stick sinks, she’ll dive after it, and I don’t want that now, not now with fall coming and the river rising. The current is coming swift.
Tiny honey locust leaves rain down, a flock of sparrows shot on the wing and stick to the soles of my boots, lodge in the bandanna around my neck. Leaves and stems shore up in drifts against the back door when we come home again and go inside to towel off. A tempo change.
Games of chance.
It’s what I think of, as we walk: rolling the bones, picking a card, spinning the wheel. My right palm itches. I wonder if it’s the first twinge barely perceptible of shifting fortune, some red flickering light suggesting an exit door from this gray cadaverous casino, or whether I’m weary, as we are all weary, and deceiving myself. Either jump in volcano or keep trudging through the ash. Leave the table or double down? There is something in the wind.
The fires still burn, but the solid curtain of toxic smoke begins to fold pleat-by-pleat. Lightning and thunder cracked the shell, and rain-O-sweet-blessed-rain fell a bucket full. The smoke ebbs and flows, from yellow to orange, but not the deep purple of last week. The water bucket is still out on the hill for the wild things, but they have gone their own way, braver than me.
Each month of this astounding year taught a new acronym-filled vocabulary of disaster:
AQI= Air Quality Index
Viral Load= Distance x Duration + Density
BLM= Black Lives Matter AND Bureau of Land Management
Equinox arrives tomorrow morning when the sun moves into the constellation of Libra, the sign of the scales symbolizing justice and balance, when days and nights equalize for a trace moment of exhalation. Then we fall. How hard is the question. There will be neither justice nor balance this season. It’s still the Year of the Rat and though we gnawed off the paw, we are still caught in the trap. There’s a hitch in my left hip from curling downward, especially at night, hugging my knees and straining for rain to fall from the eaves.
Mercy and I went out to the river so she could finally swim after two weeks, picked the ripe feral figs along the way. We fell into polite, socially-distanced step with a young woman and Otter, her red heeler . He hasn’t been the same since the fires, she said. And I nodded. Sing goddamn.
Skiddeth bus and sloppeth us,
An ague hath my ham.
Freezeth river, turneth liver
Damn you, sing: Goddamm.
― Ezra Pound
A shallow copper bowl rests on a white birch stump left behind after the ice storm killed the tree. It was a crow tree, where princelings came to find food and water, watched clouds gather over the butte, and bickered from the branches. From the birch outpost, the crows defended their rookery from red-tailed hawks and falcons, while providing cover to the neighborhood doves and chickadees.
During the August moon, young crows audition before their elders stationed at the top of nearby oaks to compete for their place in the tribe: scout, gleaner, nanny, or warrior. Some rare years convocation arrives, a great gathering of the entire clan called together. Perhaps they are summoned to mourn the passing of their Queen and anoint a new one, perhaps to draw new boundaries, affirm alliances, or arrange marriages. When the full August moon sets the morning after the assembly, the raucous cawing chorus across the valley falls silent. The ritual ends.
The copper bowl weathered to a green patina. It balances aslant on the thumbprint-ringed stump tipping down the hill. It is dry by morning, the bottom scattered with tiny locust leaves, wind-blown fluff. The basin catches plunked rain drops, arcs of water raised over blown snapdragons, misty rainbows shed from dark rhododendron leaves. The water-filled bowl reflects the waxing moon when she is nearly full and Venus when she sets as evening star.
The surface is still, yet to gaze beneath is to read ripples stirring under water just as old glass moves and flows in thickened panes set in ancient window frames. Under water, through the glass, there is harlequin and halfling, spokes of ever-turning wheels and swords set in stone; there is blood for certain bled from both birth and murder, Kraken storms at sea and high castrato hymns, ribbon streamers dyed with elixir distilled from violets and roses, endless seasons of windfall fruit from heirloom apple. To scry is to watch as a windowpane, seeing both forward and backward, time ever present and ever spiraling, but it is not a threshold to walk. There is no door.
“Had a dream
You and me and the war at the end times
And I believe
California succumbed to the fault line
We heaved relief
As scores of innocents died”
Pea vines gone to paper, I pulled them this morning and sorted through the last snaps: supple green steamed for supper, coarse corky pods spread to dry for seed.
Four head of lettuce pulled before bolting, leaves stripped, washed, waiting ready for the bowl.
In March there was only wanting, only walking, planting seed and trusting because there was nothing else to believe.
What to do with this knowledge that our living is not guaranteed?
Perhaps one day you touch the young branch
of something beautiful. & it grows & grows
despite your birthdays & the death certificate,
& it one day shades the heads of something beautiful
or makes itself useful to the nest. Walk out
of your house, then, believing in this.
Nothing else matters.
All above us is the touching
of strangers & parrots,
some of them human,
some of them not human.
Listen to me. I am telling you
a true thing. This is the only kingdom.
The kingdom of touching;
the touches of the disappearing, things.
The corner of the top deck leads south-southwest, a prow of an old sailing ship leaning into harbor. I drink morning coffee under the awning, even in the winter, even with my down coat zipped and a slippery mug gripped by fingerless gloves. Unless there is typhoon, when even the crows and jays are grounded, and instead I pace at the window.
Barefoot on soft cotton July mornings, the plants that wintered the darkness flower and tiny seeds planted in April now sprout fruit. A chorus of black-eyed susans lean and nod as I tell them secrets learned during the night. Outside the kitchen door are pots of dill, parsley, tarragon, thyme, mint, and oregano. Rosemary is wild and refuses to be bound. She grows in the ground, tosses her hair against typhoon.
In March there was nothing but bones.
Perhaps we are only the reflected magic of what we cultivate, a passing breath blown on a silver mirror. Cross Quarter Day comes, a reef to bank and tack against, halfway between solstice and equinox, the feast of first fruits. In other years there would be fairs, music and contests, and young couples hand-fasting, but not this year. This year we offer up the grain on a solitary alter after Lugh of the long hand.
Days grow shorter. Light leaks away more spilling sand.
It’s nearly my birthday
A found poem:
What’s hilarious about covid, whether youre antivaxx, anti-mask, believe its a hoax, believe somehow you’re special and exempt cause 1% and all and no one you know has it…
…Thing is. Whether it’s your family members, loved ones, friends, everyone you interact with even for two seconds, or just someplace you just placed your wee little hand. Whether you’re high up in life or down in the streets. Don’t matter. There’s no hiding from this game. You don’t know how many of them right now are rolling that pair of dice. Over. And. Over. And the funny part. They won’t know if they’ve won.
Just imagine it. You walk in the house. The entire family is sitting at the kitchen table. Rolling dice