The Turning

equinox_seeds

All Hallows

Even now this landscape is assembling.
The hills darken. The oxen
sleep in their blue yoke,
the fields having been
picked clean, the sheaves
bound evenly and piled at the roadside
among cinquefoil, as the toothed moon rises:

This is the barrenness
of harvest or pestilence.
And the wife leaning out the window
with her hand extended, as in payment,
and the seeds
distinct, gold, calling
Come here
Come here, little one

And the soul creeps out of the tree.

–Louise Glück

American Poet Louise Glück won the 2020 Nobel Prize in Literature

Dust and Phantoms

october_gourds

The clock turned itself back one hour, one week too soon. US daylight savings time ends late All Hallows Eve, before dawn of All Saints. The dog jammers from bed about breakfast in her whale-singing-song steadily gaining pitch. I look down at her and then look at the clock, digital time out of sync with the gray light dawning through the windows. Trust the dog. Always trust a dog to know when it’s breakfast.

Shuffling upstairs in wool socks and sad sheepskin slippers, kicking puffs of dust and leaf strung on strands of hair as scaffolding along the baseboard, it’s time to sweep the floors again. Again, and again, chasing all the detritus blown in or tracked in or slipped through cracked afternoon doors and only seen in the slanted cast of this waning light.

Hard frost: 22F/-5C the eaves are white with crystal. The citrus trees replanted this spring in thick keg-shaped ceramic pots are still outside, covered in yellowing sheets against winter. As the wind stirs the worn fabric, I startle at the unexpected apparition outside the kitchen window, cloaked phantom treat-or-treaters dressed like cartoon ghosts. I hang the hummingbird feeder back up outside while the birds hover at my ears impatient to suck the sugar water.

There is much, so much, to let go of.

Big white cannellini beans I scraped from the bottom of a bin in March, when the world scrabbled for toilet paper, go in the pot with a smoked ham hock acquired at the same time, shoved in the freezer against fear. Two bay leaves from the laurel tree, two stalks of celery, five peppercorns, and all day to simmer, all the time in the world.

[It’s Decorative Gourd Season…]

On the Water

october_river

This is a color photograph I took standing out on a rock below a riffle yesterday.

Mercy and I went down to the river yesterday morning between storms. The dog hates the wind and hides under the bed, but doesn’t mind rain. I scan as we walk beneath the firs for a hefty stick she can retrieve as we walk down to the water, scouting along the trail for a branch as big as my forearm, still a bit green, but not waterlogged or decaying. If the stick sinks, she’ll dive after it, and I don’t want that now, not now with fall coming and the river rising. The current is coming swift.

Tiny honey locust leaves rain down, a flock of sparrows shot on the wing and stick to the soles of my boots, lodge in the bandanna around my neck. Leaves and stems shore up in drifts against the back door when we come home again and go inside to towel off. A tempo change.

Games of chance.

It’s what I think of, as we walk: rolling the bones, picking a card, spinning the wheel. My right palm itches. I wonder if it’s the first twinge barely perceptible of shifting fortune, some red flickering light suggesting an exit door from this gray cadaverous casino, or whether I’m weary, as we are all weary, and deceiving myself. Either jump in volcano or keep trudging through the ash. Leave the table or double down? There is something in the wind.

Empty Cauldron

Everything smolders.

The fires still burn, but the solid curtain of toxic smoke begins to fold pleat-by-pleat. Lightning and thunder cracked the shell, and rain-O-sweet-blessed-rain fell a bucket full. The smoke ebbs and flows, from yellow to orange, but not the deep purple of last week. The water bucket is still out on the hill for the wild things, but they have gone their own way, braver than me.

Each month of this astounding year taught a new acronym-filled vocabulary of disaster:

AQI= Air Quality Index

Viral Load= Distance x Duration + Density

BLM= Black Lives Matter AND Bureau of Land Management

Sing goddamn.

Equinox arrives tomorrow morning when the sun moves into the constellation of Libra, the sign of the scales symbolizing  justice and balance, when days and nights equalize for a trace moment of exhalation. Then we fall. How hard is the question. There will be neither justice nor balance this season. It’s still the Year of the Rat and though we gnawed off the paw, we are still caught in the trap. There’s a hitch in my left hip from curling downward, especially at night, hugging my knees and straining for rain to fall from the eaves.

Mercy and I went out to the river so she could finally swim after two weeks, picked the ripe feral figs along the way. We fell into polite, socially-distanced step with a young woman and Otter, her red heeler . He hasn’t been the same since the fires, she said. And I nodded. Sing goddamn.

Skiddeth bus and sloppeth us,
An ague hath my ham.
Freezeth river, turneth liver
Damn you, sing: Goddamm.

― Ezra Pound

Fire

Half the water is gone from the bucket when I check it this morning, but there’s less ash than the day before.

They come at night, creep up from the dry shaggy woods in the dark to drink. I dump the water and carry the bucket back to the house and rinse it out. I refill it with as much water as I can carry without slopping out most of it walking back to the hill where the deer trail opens from the withered bramble. With the fire so close, the wild creatures are fleeing the forest and moving down toward town. 150,000 acres of wildfire burn a few miles to the east-northeast, ash flurries sift down. I wear my best mask, pull my hat down low.

The West is on fire.

The red flag warning for strong dry easterly winds was issued over the weekend. Labor Day skies dawned clear and blue with the coppery mellow light of early autumn, a crackle of birch leaves skittering across the drive. By evening smoke enveloped the valley in a sickly thick fog. Hard winds swirled up born of the high pressure and heat in the heart of the state and dropped trees and power lines. Power lines sparked fires in the parched forests.

Evacuation alerts for the eastern county into the Cascades woke us in the night. The fire jumped the river and consumed homes and towns along the watershed, fire burned down river insatiable. Rainbow trout, summer steelhead, and Chinook salmon hatchlings were released downstream from Leaburg moments before the fire overtook the hatchery. It’s too soon to know what is lost, but it is incalculable. The fires are still burning.

My father was very sure about certain matters pertaining to the universe. To him, all good things — trout as well as eternal salvation — come by grace and grace comes by art and art does not come easy.”

–Norman Maclean, A River Runs Through It

“Probably most catastrophes end this way without an ending, the dead not even knowing how they died…,those who loved them forever questioning “this unnecessary death,” and the rest of us tiring of this inconsolable catastrophe and turning to the next one.”

–Norman Maclean, Young Men and Fire

Cross Quarter

top_deck_sunset

The corner of the top deck leads south-southwest, a prow of an old sailing ship leaning into harbor. I drink morning coffee under the awning, even in the winter,  even with my down coat zipped and a slippery mug gripped by fingerless gloves. Unless there is typhoon, when even the crows and jays are grounded, and instead I pace at the window.

Barefoot on soft cotton July mornings, the plants that wintered the darkness flower and tiny seeds planted in April now sprout fruit. A chorus of black-eyed susans lean and nod as I tell them secrets learned during the night. Outside the kitchen door are pots of dill, parsley, tarragon, thyme, mint, and oregano. Rosemary is wild and refuses to be bound. She grows in the ground, tosses her hair against typhoon.

In March there was nothing but bones.

black_eyed_susans

Perhaps we are only the reflected magic of what we cultivate, a passing breath blown on a silver mirror. Cross Quarter Day comes, a reef to bank and tack against, halfway between solstice and equinox, the feast of first fruits. In other years there would be fairs, music and contests, and young couples hand-fasting, but not this year. This year we offer up the grain on a solitary alter after Lugh of the long hand.

hydrangea

Days grow shorter. Light leaks away more spilling sand.

mercy_july_river

It’s nearly my birthday

Stone Road

stone_road

“This harmful road into the New World, quickly became a ruthless, angry search for wealth. It set a tone in the Americas. The quest for personal possessions was to be, from the outset, a series of raids, irresponsible and criminal, a spree, in which an end to it–the slaves, the timber, the pearls, the fur, the precious ores–was never visible, in which an end had no meaning.”

–Barry Lopez, The Rediscovery of North America

Barry Lopez lives upriver, below Sahalie and Koosah, close by the landing at Finn Rock. I believed it was mine, this river; these were my own moss ferned trails down to rock and rapid. I read Lopez’s River Notes.

Each spring I ranged over stone deltas along the river channels to study the flow, after winter floods remapped the current, before wading into the water and letting snow melt wash me down stream. The black dogs walked up river beside me and then floated along behind, waves of August bleaching the bend where we would land.

I was young and proud in presumptive possession, but long years teach, even if one does not learn:  I belong to the river, bearing the same nativity as heron or trout, not the other way around.

A green university town, emptied of students in March, ordered under curfew two nights, a text alert announcing the second restriction was delivered eight minutes after it was already being enforced. Windows broken in Starbucks; fires set.

Traffic stopped Sunday over the Ferry Street Bridge, made way for crowds marching north to the river front park, mostly masked and carrying signs, a young woman riding her small gait horse bareback, so many people so close together after so many weeks, panting for breath.

“We would have to memorize and remember the land, walk it, eat from its soils and from the animals that ate its plants. We would have to know its winds, inhale its airs, observe the sequence of its flowers in the spring and the range of its birds…To be intimate with the land like this is to enclose it in the same universe we occupy, to include it in the meaning of the word community.”

–Ibid

 

Tao of Water

may_view

Recite the alphabet, a silent sing-song recitation, roll hands one over sudsy other, digits and thumb, up the wrist, rinsing and turning. Zed. Omega. I try it backwards. At night, when the doors are locked and the shades drawn, I rub ointment into my knuckles.

Water makes small choices; a pebble might turn a flood.

Raccoons wash their food, roll muddy tubers and tuna fish sandwiches one paw over the other down on rocks next to the stream. They dip digits in a can of stolen shortening and gobble handfuls of greasy fat, sneak into the house through the cat door and look for crackers in the cupboard, a time after Rogue died and before Mercy was whelped.

I faced a raccoon nearly as big as the dogs, spit-sapping shock at the size of it, looking for a weapon without shifting focus away, settling for the broom at hand. It came in June to pluck ripe strawberries along with the crowns. I let it.

A group of raccoons is called a gaze. After dusk one summer night, a gaze in the neighbor’s backyard killed their cat while they stood at the door and flicked the porch lights on and off and, stamping wailing thrashing, watched.

Hail comes to hammer the gutters, applause of thunder, rivulets run down the roof of the shed and pool in the strawberry bed.

Water makes small choices.