A tired dog is a good dog
There are hollowed dry bones littered through the house I step on barefoot in the dark.
It rained last week, real rain in August, battering the grape leaves and splitting tomato skins. It reached 100 degrees this week. Yesterday there was morning thunder, more rain, and a 6.3 earthquake off the southern coast of Oregon. I walked Mercy down to the park to sweat tears in the steaming field when the cloud cover lifted and the sun came out. I didn’t feel the earthquake although I woke suddenly and got out of bed. I stepped on a bone.
Cagibi published my postcard from the Upper Truckee River this week. I forgot it was coming out so pleased to see it up. I finished the same stubborn essay again, enough to submit. Finishing is the trick. True enough that works of art are never finished, only abandoned. Submitted. Rejected. Revised. I reach the limits of my senses at a certain point. As though born unable to hear, yet aware there is a realm of music beyond my comprehension I scan for but can never translate. I know it’s out there. The challenging is finishing.
Max and Faten are building a cabin on the Calapooia river up the valley. The river was named for the original local tribe, the Kalapuya, a rocky trout run that slides down the Cascades to join the Willamette. Fish skate the granite and quartz rocks and dart away.
“Where the bee sucks. there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough.”
–Ariel’s Song, The Tempest
Last fall I gathered all the wrinkled peas dropping from the blown nasturtiums and dried them on newspaper shoved to the back of the trestle table. I hoarded the dried seeds in a sandwich bag propped behind the dusty tequila and cassis bottles on the sideboard until spring. I planted them everywhere there was soil and hope of water and shade. Nasturtium flowers are edible, peppery, cheerful fellows. Each year the colors of the blossoms shift, mutate, shades and streaks similar, yet not the same.
I took Mercy to the river to swim this morning. We walked the path down to the old boat landing through foxtail grass and swaying bishop’s lace, the sky turning white as the sun rose higher, cool by the water but rising hot mid-morning through the fields. The dog dives like a land seal. I stood at the bank flinging sticks in the water and saluted a passing drift boat.
Wrestling a rewrite on a long stubborn essay, shying from the squintingness of it all, I received an email from Cagibi accepting a 300-word postcard piece for publication in late August. (Thank you, Sylvie and Christopher. Just when one is ready to surrender, something shifts. ) Read “How to Set the Dining Room Table,” a creative nonfiction work in the latest issue by Elizabeth Jannuzzi. It’s a brilliant narrative device flawlessly executed.
Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything,
That’s how the light gets in
You can add up the parts
You won’t have the sum
You can strike up the march
There is no drum
Every heart, every heart to love will come
But like a refugee
–from “Anthem” by Leonard Cohen
Grape clusters dangle and swell under leaves fanning larger than my hand. Grape tendrils test their boundaries every morning, fondling the neighboring cucumber’s trellis all-so-wistful before seizing the iron frame to claim it again.
The first cucumber is cut for slicing and the grapes nudged back into the confines of their arbor. Green and red grape vines share one rack and reach to the window on the second floor. I cut grape leaves to line the bottom of a platter yet linger awhile inside the arbor. There is shelter. Here is mystery, inside the breathing green sprung from dried roots.
A succession of caretakers and nurses arrive and leave now in a nearly-familiar rotation. They park out on the dead-end road and walk up the neighbor’s driveway to the front door and disappear inside. Shirley is no longer waving from the hospital bed propped up by the picture window when Mercy and I walk home up the hill. I search the glass, squinting under the brim of my hat, but it’s blank.
I dried a long wand of catnip cut before the herb came to bloom, bundled stalks of pungent mint to soothe the squabbling neighborhood cats quarreling among themselves and tormenting the dog when they sashay along the front deck. (It’s usually the same sashaying cat: the lunatic tabby that once charged and tried to take down a grown turkey.)
I took the wand out into the road the other night before dark and called to the cats, whipping the tip in the air and scraping the pavement to entice them. The tabby bounded along parallel with me, keeping a wary eye out for the dog, pacing down the hill. I laid the catnip wand down on the grass for a midsummer revel and went home to cook dinner.
Shoot grows to bud, flower comes to fruit, seeds weave their secrets to unfold in another season. The solstice passes when the sun ebbs south again after hanging stopped in the sky. Eclipses are coming with the next moon.
Rain came to wash away the gold dusted pollen and cottonwood fluff. Thunder and wind heralded the change of season. Today clouds graze and chew the blue.
Mercy and I walked down to the river kicking drifts of cottonwood fluff along the trail. In the long thick grass the dog seized sneezing when we crossed a field to strike the southern path to the old boat landing. She swam after sticks in the green water fresh with snow melt to wash away the pollen. I held a stick underwater for her to dive down to retrieve and rinse the grit from her eyes and nose. She dashed along the sandbar in loops and didn’t want to be leashed to walk back.
It happens every year, this river of grass seed pollen flowing down from mid-valley, cottonwood tufts like trout swimming south at dusk. Everyone is angry it seems, caught in a riptide gold dust monsoon and flailing out to sea. There’s nothing for it but sleep and showers swimming sideways. Everyone is angry.
I don’t need to buy groceries for the neighbors any more, Shirley said. She’s in hospice care at home. Vic just got released from the hospital after four days. There is traffic up on our hill now with traffic jams when more visitors or the mail truck arrives. Mercy and I still check Vic and Shirley’s gates every morning and I wonder if I can bear it.
Repost – June 2017
This morning my neighbor came out in her nightdress to water flowers in the brick planter fronting her steps. I try not to notice and sit very still. The sun is breaking over the hill and filtering through the birch leaves. I think I am a tabby cat, mottled and camouflaged, in the dappled light. I don’t have a nightdress to wear out into the morning.
It goes to the head, this golden haze of pollen and drifting cottonwood. It’s fairy dust. The trees and grass release their magic as the day grows, to be caught in the wind and blow south. Some afternoons, especially near the river, it seems it’s snowing. My eyes itch with it. People sneeze and scratch. They try antihistamines which only makes them thirsty and angry. It’s easier to try to think in the morning. Later in the afternoon, there’s a full lulling need to sleep, to drift into some new fairy tale, succumb to the spell cast by the gold dust.