Even now this landscape is assembling.
The hills darken. The oxen
sleep in their blue yoke,
the fields having been
picked clean, the sheaves
bound evenly and piled at the roadside
among cinquefoil, as the toothed moon rises:
This is the barrenness
of harvest or pestilence.
And the wife leaning out the window
with her hand extended, as in payment,
and the seeds
distinct, gold, calling
Come here, little one
And the soul creeps out of the tree.
American Poet Louise Glück won the 2020 Nobel Prize in Literature
“I leave a white and turbid wake; pale waters, paler cheeks, where’er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass.”
–Herman Melville, Moby Dick
Rain rips the red leaves from the dogwood and whips waves of gold down from the birch. A frost last week, though not hard and certain, was enough warning to corral the potted citrus and thorny bougainvillea inside for the season. Crushing acorns underfoot as we walk the trails, a year in the making. The crows pick the meat from the shells and the dog charges the squirrels when we return. Shed.
Houses in the old neighborhood are decorated for Halloween. It seems it’s always been this way, this casting and passing, this litter of leaves. Dad’s ginger dog Ben and I walk down to the park. We pass lawns decked out with styrofoam tombstones, trees dangling plastic pumpkins lit by violet eyes. These are wards, I know, talismans strung on each threshold to forestall unfriendly spirits, effective even if purchased at a box store. After the cross-quarter, such magic, no longer needed, will be assigned to the trash. But the warding is sincere. Darkness gathering in the north, we walk on.