Amulets, Fetishes, Lucky Charms

amulets_labradorite

A shallow copper bowl rests on a white birch stump left behind after the ice storm killed the tree. It was a crow tree, where princelings came to find food and water, watched clouds gather over the butte, and bickered from the branches. From the birch outpost, the crows defended their rookery from red-tailed hawks and falcons, while providing cover to the neighborhood doves and chickadees.

During the August moon, young crows audition before their elders stationed at the top of nearby oaks to compete for their place in the tribe: scout, gleaner, nanny, or warrior. Some rare years convocation arrives, a great gathering of the entire clan called together. Perhaps they are summoned to mourn the passing of their Queen and anoint a new one, perhaps to draw new boundaries, affirm alliances, or arrange marriages. When the full August moon sets the morning after the assembly, the raucous cawing chorus across the valley falls silent. The ritual ends.

The copper bowl weathered to a green patina. It balances aslant on the thumbprint-ringed stump tipping down the hill. It is dry by morning, the bottom scattered with tiny locust leaves, wind-blown fluff. The basin catches plunked rain drops, arcs of water raised over blown snapdragons, misty rainbows shed from dark rhododendron leaves. The water-filled bowl reflects the waxing moon when she is nearly full and Venus when she sets as evening star.

The surface is still, yet to gaze beneath is to read ripples stirring under water just as old glass moves and flows in thickened panes set in ancient window frames. Under water, through the glass, there is harlequin and halfling, spokes of ever-turning wheels and swords set in stone; there is blood for certain bled from both birth and murder, Kraken storms at sea and high castrato hymns, ribbon streamers dyed with elixir distilled from violets and roses, endless seasons of windfall fruit from heirloom apple. To scry is to watch as a windowpane, seeing both forward and backward, time ever present and ever spiraling, but it is not a threshold to walk. There is no door.

Noir

“Do you tell fortunes?

I do.

How? With just an ordinary deck of cards?

I leave the Jokers in the deck.”

Chairs in the tiny waiting room are too close and our knees might brush if someone else entered and sat down. There are slush stacks of grimy magazines. Try not to touch anything. The fan vent, or perhaps it’s the whir of various diagnostic machines, cycles a whine that repeats it sounds like a bear.

A colorized black-and-white film with a smear of pink lipstick.

The tires slap on the highway tunneling through dark fir phalanx in every direction and passing semis spray the glass before the wipers salute and return. A man in a cave, or possibly not a man. A bear. A gnome with a red beard fathered by a bear.

Queen of Diamonds crossed by the Two of Hearts.

Off the highway pull into a truck stop furiously lit with humming florescent floodlights. Green skin in the mirror scaly as a slyth and liquid silver eyes. I thought I’d outgrown all that.

Solitary men slouched on vinyl booth benches, backs to the wall and faces to the door, newspapers folded on the table next to mugs of coffee and plates of toast. They look up when the bell on the door jingles as it opens without raising their heads, just their eyes. Home fries, not hash browns, scrambled, not fried. Coffee, yes. Do you have cream? Plain cream, not this vanilla kind.

Ten of Spades follows behind.

No one is wearing a mask. A black and orange warning sign over the door to beware of nuclear isotopes, as though they might be dodged as easily as a flock of gulls, an exotic virus, a besotted stalker. No food, no drink, no smoking, no lipstick.

Pick a card.