“On the River Verge” is a play in contrast between similar words (coral and corral, for example) as well as the tension between the wild and the domestic.
The latest issue of Thoughtfuldog, a literary and lifestyle magazine, is out. My article about writing spaces is included in the April issue. Check it out at:
She leaves unadorned,
as she does every year,
without baggage, bare-boned,
rising into the rain and air,
to unfurl her fingers, uncoil her hair
The shelter of any island, for the maverick and mutineer, tempts Huck Finnian day dreams. There’s nothing prosaic about the Island, as I name it now, a proper noun, as it is referred to by family and familiars in conversation. Sometimes, it is called The Big Island, to distinguish it from The Little Island nearby, when duck hunters plan to float the river and stalk birds. At one time, the level center portion was cleared and plowed to be planted with grain or alfalfa. It has been years since a hoe or harrow worked the earth there. On the upstream side, the land slopes down to a bed of river rock lapped by the river; downstream a high bank comes to a point like the prow of a ship. River banks are thick with willow trees and brush. It is rough, unruly and overgrown, home to magpies and foxes. Over the years, visitors learn about the Island and are eager to go there and explore a curiosity. I don’t know what they imagine before they step out of the boat onto the bank, as though the Island would somehow be quixotic rather than starkly feral.
Storyfort is one of the forts free and open to the public during 2017 Treefort Music Fest in Boise, Idaho. I joined my fellow poetry and fiction winners in the contest for a reading on Sunday, March 26th, at 1:30 PM at The Owyhee Treefort Gallery. The event was an amazing experience.