Who will teach me to write? A reader wanted to know.
The page, the page, that eternal blackness, the blackness of eternity which you cover slowly, affirming time’s scrawl as a right and your daring as necessity; the page, which you cover woodenly, ruining it, but asserting your freedom and power to act, acknowledging that you ruin everything you touch but touching it nevertheless[…]: that page will teach you to write.
—–Annie Dillard, “The Writing Life”
The garments worn in flying dreams
were fashioned there—
overcoats that swooped like kites,
scarves streaming like vapor trails,
gowns ballooning into spinnakers.
–Stuart Dybeck, from “Windy City”
Dawn comes early and I can’t hide. Each May morning waking, dream-washed and clean, to a day of exuberant green dressed with dew. There is just one more moon between now and the solstice, a round high summer moon coming to mark our longest day in the northern latitudes. Then the days grow shorter again.
I have often thought the seasons were mismarked on the calendar. If, unmoored from the tyrannical grid of weeks and months, we found more names for the light of days and nights, would we not be less surprised and dismayed while the seasons passed?
My new seasons might commence on the cross-quarter days, those landmarks between solstices and equinox. There would be waxing and waning phases to portions of the year. This scheme might look something like this (in the northern hemisphere, of course):
February 1 First Spring
March 21 Full Spring
May 1 Summer
June 21 High Summer
August 1 First Fall
September 21 Full Fall
October 31 Winter
December 21 Low Winter
Friday night we went to visit colleagues in the tasting room of their distillery. It’s not far off the highway, tucked into a commercial-industrial complex, and the parking lot was dark with rain and largely empty when we arrived.
The tasting room tables are adapted from oak barrels with blocky wooden stools for seating. The bar is intimate and flawless, behind which racks of small tasting glasses were stacked. Bottles of their flagship vodka, navy gin and aromatic gin lined the bar.
We brought along a case of our quinine tonic, an assortment of each of four craft brews building on a cinchona bark base, to pair alongside the various liquors. The bitter taste of authentic tonic balanced against the lavender and angelica distilled in craft gin is a complex combination of sensations and flavor. There’s a renaissance of distilling going on here, following close after the explosion of craft breweries.
The warehouse in the back is two-stories with a loft office. A great copper and steel still dominates the space. The piece was designed and built to the distiller’s specifications. He named her Ginger. One day, he warned me, the copper will cloud. She’ll gain a patina, just as we all go gray. I thought of deep-sea divers as I looked down her porthole, and the vapors of alcohol rising through the pipes like drops of enchanted seawater. A giant genie’s bottle, a still is, weaving intoxicating and deceptive promises. Be very careful what you wish for.