Lunar New Year

rosemaryIt snowed. A wet warp threaded across the trees and garden to reflect through the tall windows and color the gray morning grayer, heavier. I swept the deck leading to the front door and the snow stuck where footsteps compressed it. The snow is melting from the eaves. It will freeze tonight.

It’s happening again, happens over and over again, turning again.

The fleece sweatshirt, the gray one I wear all winter, goes sour. My back itches. I fidget inside these winter clothes. The fleece crackles when I take it out of the clothes dryer. A wool sock is sucked into a sleeve and little sparks fly when it’s unpeeled. Stray strands of hair lean into the static, rise up expectant into the air. I wear the sweatshirt zipped up in the small cold room where I write. I wear it under a long burly down vest with full pockets that bash into coffee cups or door knobs when I turn. Time to shed a skin.

In the morning, before I speak human, I talk to the dog with hands and glances, a hula language of the body we both understand. I ask if she’s eaten her breakfast and whether raccoons came into the yard during the night. She bows and then glances in the direction of her emptied bowl. The rosemary is blooming under the snow, halfway between the winter solstice and the leveling equinox of spring. Tonight the moon is new, invisible, turning again, here at the end of the lunar year of the dog and the rising of the boar.

Time to shed a skin.

Kung Hei Fat Choy

Author: Kim K. McCrea

Kim K. McCrea earned her BA in English before embarking on a career in technology and public service. Kim won Oregon Writers Colony 2018 essay award, Treefort’s 2017 Wild West Writing Prize, and was named runner-up in Cutbank 2018 Big Sky/Small Prose contest. Her creative nonfiction is featured in Cutbank, Tishman Review, Cagibi, and elsewhere; she is the author of the novel Pandora's Last Gift. A native of the Pacific Northwest, Kim lives in Oregon, where she studies the moon and stars and wanders with her Labrador in the rain.

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