The equinox arrives Saturday evening, 6:55 Pacific time. Days and nights will balance, light and dark equal for a moment. Folklore says one might balance an egg on end during an equinox, but I’ve never done it. The moment passes while I’m distracted slicing a pear and the egg swivels and topples. Persephone descends to the underworld, the cloaked seed sleeping a seeming death. Six months ago, at the spring equinox, the light strengthened and grew. Seed pods burst and pushed into the air, leaves unfurled with Persephone rising. Now comes the time to let go. The harvest moon is nearly full.
I have wandered and worked in the sun. In the dark and rain is the best season to write. Then I prop the door closed with a cast-bronze winged pig, enough to keep the heat from the oil radiator inside, yet wide enough for the dog to push her head through and, if she’s inclined, shove back the doorstop to shoulder through and lie down at my feet.
I have a small chandelier in the corner of my studio with battery-powered tea lights that still flicker without dripping wax. (Or threaten fire, if I forget them. An amazing feat of technology, this.) I brew a thermos of strong chai and stir in a spoonful of honey. In the dark and the rain, there’s less to see out the window other than the stony shades of sky and bare branches. The eye is released to turn inward, awaiting the shy wild shape of the work.