Short Work

Watershed Review accepted a short piece I wrote for their fall issue and I’m delighted.  It’s under 200 words, a lyric essay that bends toward being a poem, but not quite? What do we call these short hybrid works?

Most of my creative nonfiction pieces average 2500 words, or a fraction of this one. This one fit on a single page. In many ways, the very short work is harder to capture and contain than the rambling prose built into sentences that then block into paragraphs. In longer works, there’s an expansive luxury of holding forth and spinning exposition into broad tapestries. The short works are cunning little samplers with unfinished raw edges. The play is the thing, yes?

 

Author: Kim K. McCrea

Kim K. McCrea worked as a System Analyst for 25 years building out the internet of things before returning to letters in 2017. Kim won the Treefort Wild West Writing Prize, was runner up in Cutbank short prose contest, and named a finalist in Proximity Magazine's Essay Prize and the Barry Lopez Creative Nonfiction Contest. Her work appears in Cutbank, Tishman Review, Thoughtfuldog, and Watershed Review. Kim lives in Eugene, Oregon, where she wrangles her Labrador in the rain.

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