
Six months ago, I resigned from a job working in a shabby cubicle with a stunning view to the east. I rarely turned around from my dual monitors to look out the window, not unless there was a rainbow or a police take-down at the transit station. Even then, I only turned because other staff rushed into my cube to lean against the credenza, chattering and pointing and leaving fingerprints on the glass. I spent too many years in different cubes, in hindsight all remarkably the same. I write at home now. I spend long moments lost, gazing out windows.
My writing desk is upstairs in the southwest corner of the house. Spencer Butte is framed outside the windows, looming sometimes, like an iceberg daunting the bow of a ship. This corner enclave is where I write longhand, with black ink in a book of unlined paper, on most mornings. I notice my handwriting has improved these past six months, where it was nearly illegible when I started the book. I thumb through the pages, and volumes, and see this practice has also given me a steadier line across the page.
–Read the rest at Thoughtfuldogmag.com





and swift as thunderstorms, how the scent of jasmine blossom perfumed my entire nest, the musk of marigolds. I had a pretty dove-colored wife. We had 57 children. We lived beneath a crack among flagstone paving the temple courtyard. It gave onto a small hollow wedged between the courtyard and the outer wall that we stuffed with leaves and hair and bird feathers. It was very dangerous during monsoon, twice we nearly drowned when the den flooded, and we clung to the dung box to keep from being swept away. But we always returned, dug the mud out, and found new bits of cotton and chaff to stuff into the corners to 


